This is the doodle I did, for reference:
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Figure 1: Photograph of inception doodle (not the one used to create the art) |
So first I took a decent quality top-down photograph of it,then scrubbed the background (made it a single colour) and applied various filters to get the lines to become solid 'edge-like' entities, at which point the colour-filler tool is straightforward to deploy. The doodle was also separated into it's own Layer so you can run 'global' (as opposed to area-defined) effects on it without affecting the background or any other layers in the image.
One of these effects is simply changing the 'hue' of the colour palette - which is all I've done for each of these 3 images (and turned the brightness & colour saturation down in the middle one), I didn't individually colour each one. Only the prototype has to have aesthetically pleasing colours relative to each other mapped onto it - and then literally just like transposing music, you can 'transpose' the colours and for most of the results it looks halfway decent.
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Figure 2: Reaping |
The smoke I did by just stretching a smudge I'd captured in a photograph and then applying transparency and other posterising effects. i added a penumbra at the edge of the shadow as it automatically makes all shadows look about 10 times [ref? haha] better, even if it's not done particularly well - which mine isn't if you look closely.
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Figure 3: Abominable Snownaught |
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Figure 4: Ice Skating? |
The previous revision didn't include the prototype, but then I thought I might aswell in the interests of completeness (Figure 5), also have done a few different ones since this blog first went up - Figure 6 is one example.
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Figure 5: Prototype template of the dead-dreadnaught |
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Figure 6: New colour scheme (29/01/14) |